Kymotropic Image : A Warm & Fuzzy Sonic Rose - print size 16 inches by 20 inches
SKU:
$11,110.00
$11,110.00
per item
NOTE: single Print price includes shipping and handling fees to addresses inside the contiguous (lower 48 adjoining states plus Washington, D.C.) of the U.S.A.
Additional shipping fees apply to Alaska, Hawaii and International orders.
This sonic art print is our best known image in the art world.
For those with vision dysfunction, cochlear disorders, hyperacusis, or vestibular disorders, our isomorphic art, when fully experienced through our Cole Fusion Protocol, is proven to change the brain wave state on EEG and is often life changing for those who fully experience our collaborative art.
When a person has an aural or visual disorder, each moment seeing and hearing is filled with a sensory data mismatch. Imagine double vision and acoustic stuttering to begin to comprehend the gist of the impact of these disorders.
Due to this sensory data mismatch, music therapy is usually very beneficial to those who have autism spectrum disorders, are post head trauma, post stroke, or who have A.D.D. or A.D.H.D.
Our sonic research is working towards design improvement in the field of music therapy and sound healing. We are doing so by obtaining independent college studies using EEGs, and by addressing equipment and program design deficits we have discovered over the 22 years of our research.
Our visual art is made from mathematically balanced musical compositions which are run through K.I.S.S. lasers or oscilloscopes, coupled with bilateral BRAIN OM sculptures, and played through fully omni-directional OMNi Sound Loudspeakers.
We also add nutritional supplementation (which is PDR listed) that is missing in the typical U.S.A. food supply due to the poor farming practices of genetic engineering and use of herbicides.
This multi-faceted approach, for those who fully experience it, provides a sensory data match.
What is seen, heard and felt (sound is a pressure wave) provides a sensory data match because of the synchronized wave forms through multi media. This sensory data match, which is missing in the daily lives of those who have these particular physiological disorders, is now being tested in medical studies on EEGs, where, to date, we have had 100% repeatable results on EEGs.
The pricing of our 16 by 20 inch prints carries a 501C3 tax deductible donation made possible by D-Man Foundation. Arrangements for payment are specific and take only a few days to complete.
Your support of our sonic research is greatly appreciated.
Composer and photographer: Judy Lynne Cole
Audio engineer and graphics designer: Robert Matthew Phillips
Sonic visual artist guide and creator of “The K.I.S.S. Laser”
(Kymotropic Imaging Sound System): Daniel Cohn
Color adaptation: Thomas Blaine Myers
Grid line remover and graphic artist: Ben Jansen
Visionary: Peter Moscow
In my last face to face conversation with Peter Moscow in July of 2010, Peter suggested I photograph a version of this particular kymotropic image in red. I told Peter we actually already had a red K.I.S.S. Laser, a “new to us” back projection screen, and only needed to purchase a high speed/ high quality digital camera to accomplish this request. I promised to have the red rose ready for him by the U.S. Psychotronics Association annual Conference in July 2011 via re-photographing the image with the red K.I.S.S. Laser.
When Peter changed dimensions unexpectedly in 2011, the red kymotropic rose, his last face-to-face request of me, was heavy on my heart. One of Peter’s lasting legacies was to applaud and encourage artists. To open the heaviness, just as a rose bud opens to its fulfillment, six artists (between Kentucky, Indiana, New York and the Netherlands) conspired to make this promise a reality in time for Peter’s funeral. As we still did not have a digital camera with the capabilities of capturing the laser image, hard and furious work was done to remove the grid lines of the photo of the original oscilloscope image and change the color of the resulting original kymotropic image.
Run for the Roses, USPA style
Gallery, Museum and conference exhibitions:
Fort Wayne Museum of Art- 2012 - Member Artist Exhibit
Garrett Museum of Art - 2012 - Member Artist Exhibit
Ningishzidda Arts: The art & design studio of The Abrahadabra Institute- 2012 to present
Olympia Arts Walks - 2012, 2013, 2014 Spring and Fall
Temple of Sakkarra - 2012
USPA - Louisville, Ky. 2011
Wassenberg Art Center - 2013
Gallery, Museum and conference exhibitions:
FWMoA, 2012
Garrett Museum of Art, 2013
Olympia Art Festival, 2013, 2014, 2015 Spring and Fall
Globe Sound Healing Conference 2014 Oakland, CA
USPA 2015 Chicago, IL
Globe Sound Healing Conference 2015 Oakland, CA - postponed to 2016
Additional shipping fees apply to Alaska, Hawaii and International orders.
This sonic art print is our best known image in the art world.
For those with vision dysfunction, cochlear disorders, hyperacusis, or vestibular disorders, our isomorphic art, when fully experienced through our Cole Fusion Protocol, is proven to change the brain wave state on EEG and is often life changing for those who fully experience our collaborative art.
When a person has an aural or visual disorder, each moment seeing and hearing is filled with a sensory data mismatch. Imagine double vision and acoustic stuttering to begin to comprehend the gist of the impact of these disorders.
Due to this sensory data mismatch, music therapy is usually very beneficial to those who have autism spectrum disorders, are post head trauma, post stroke, or who have A.D.D. or A.D.H.D.
Our sonic research is working towards design improvement in the field of music therapy and sound healing. We are doing so by obtaining independent college studies using EEGs, and by addressing equipment and program design deficits we have discovered over the 22 years of our research.
Our visual art is made from mathematically balanced musical compositions which are run through K.I.S.S. lasers or oscilloscopes, coupled with bilateral BRAIN OM sculptures, and played through fully omni-directional OMNi Sound Loudspeakers.
We also add nutritional supplementation (which is PDR listed) that is missing in the typical U.S.A. food supply due to the poor farming practices of genetic engineering and use of herbicides.
This multi-faceted approach, for those who fully experience it, provides a sensory data match.
What is seen, heard and felt (sound is a pressure wave) provides a sensory data match because of the synchronized wave forms through multi media. This sensory data match, which is missing in the daily lives of those who have these particular physiological disorders, is now being tested in medical studies on EEGs, where, to date, we have had 100% repeatable results on EEGs.
The pricing of our 16 by 20 inch prints carries a 501C3 tax deductible donation made possible by D-Man Foundation. Arrangements for payment are specific and take only a few days to complete.
Your support of our sonic research is greatly appreciated.
Composer and photographer: Judy Lynne Cole
Audio engineer and graphics designer: Robert Matthew Phillips
Sonic visual artist guide and creator of “The K.I.S.S. Laser”
(Kymotropic Imaging Sound System): Daniel Cohn
Color adaptation: Thomas Blaine Myers
Grid line remover and graphic artist: Ben Jansen
Visionary: Peter Moscow
In my last face to face conversation with Peter Moscow in July of 2010, Peter suggested I photograph a version of this particular kymotropic image in red. I told Peter we actually already had a red K.I.S.S. Laser, a “new to us” back projection screen, and only needed to purchase a high speed/ high quality digital camera to accomplish this request. I promised to have the red rose ready for him by the U.S. Psychotronics Association annual Conference in July 2011 via re-photographing the image with the red K.I.S.S. Laser.
When Peter changed dimensions unexpectedly in 2011, the red kymotropic rose, his last face-to-face request of me, was heavy on my heart. One of Peter’s lasting legacies was to applaud and encourage artists. To open the heaviness, just as a rose bud opens to its fulfillment, six artists (between Kentucky, Indiana, New York and the Netherlands) conspired to make this promise a reality in time for Peter’s funeral. As we still did not have a digital camera with the capabilities of capturing the laser image, hard and furious work was done to remove the grid lines of the photo of the original oscilloscope image and change the color of the resulting original kymotropic image.
Run for the Roses, USPA style
- Once upon a time in Kentucky, a run for the red rose was made.
- No horse or rider was used, to switch to red instead of jade.
- Judy, Bob, Tom, Ben, Dan and Peter – though not all have personally met,
- Conceptually saw the “win synergism” and silently placed a bet.
- Time, distance, death and finance upon earth kept us physically apart.
- But love, understanding, and vision, joined us by heart through sonic art.
- by: Judy Lynne Cole
- May 20, 2011
Gallery, Museum and conference exhibitions:
Fort Wayne Museum of Art- 2012 - Member Artist Exhibit
Garrett Museum of Art - 2012 - Member Artist Exhibit
Ningishzidda Arts: The art & design studio of The Abrahadabra Institute- 2012 to present
Olympia Arts Walks - 2012, 2013, 2014 Spring and Fall
Temple of Sakkarra - 2012
USPA - Louisville, Ky. 2011
Wassenberg Art Center - 2013
Gallery, Museum and conference exhibitions:
FWMoA, 2012
Garrett Museum of Art, 2013
Olympia Art Festival, 2013, 2014, 2015 Spring and Fall
Globe Sound Healing Conference 2014 Oakland, CA
USPA 2015 Chicago, IL
Globe Sound Healing Conference 2015 Oakland, CA - postponed to 2016